Hassan Melehy
author, critic, translator
“Kérouac ce maudit Canuck,” Redheaded Stepchild, fall 2010.
“Doctrinal Shuffle,” Ink Sweat and Tears, August 2022.
“Clockwork,” Prelude, January 2021.
“On Alert,” Prelude, January 2020.
“OuLiPop N° 1,” Prelude, January 2020.
“Recriminations,” Meta / Phor(e) / Play, April 2017.
“Doctrines of Honesty.” Meta / Phor(e) / Play. April 2017.
“Confessional,” Bestoned: The New Metaphysick. 2 (2014).
“The New School of Social Standoffs,” Bestoned: The New Metaphysick. 2 (2014).
“Olives Taste Like Paisley,” Bestoned: The New Metaphysick. 2 (2014).
“Kérouac ce maudit Canuck.” Redheaded Stepchild. Fall 2010.
“Still More Loss of Life.” nthposition. January 2010.
“Rural New England.” nthposition. April 2009.
“Street Fair,” The Hat 8 (2009): 39.
“Walking in Pairs,” Red Rock Review 22 (spring 2008): 51.
“For Now,” nthposition, August 2008.
“Willimantic in the Summer,” nthposition, August 2008.
“Frontier Ditty,” Shampoo 33 (July 2008).
“Flour Power,” Blue Unicorn vol. 31, no. 1 (October 2007): 21.
“Insistent Affections,” Clean Sheets, June 2007.
“News from the Gulf,” Borderlands 28 (Spring/Summer 2007): 67.
“Desert Missile Silo,” nthposition, April 2007.
“Just One Bright Day,” nthposition, April 2007.
“The Last Time I Saw Juárez,” nthposition, April 2007.
“The Spinning Woman,” The Baltimore Review vol. 10, no. 1 (Winter/Spring 2006): 23–24.
