
Hassan Melehy
author, critic, translator
“Stages of Constancy: Hamlet, Lipsius, and Politics.” Renaissance Drama 53.2 (fall 2025): 189–209.
“Kerouac, Multilingualism, and Global Culture.” The Cambridge Companion to Kerouac. Ed. Steven Belletto. Cambridge: Cambridge University Press, 2024. 207–22.
"A Composer’s Way with Words.” The Many Worlds of David Amram: Renaissance Man of American Music. Ed. Dean Birkenkamp. New York: Routledge, 2023. 160–70.
“Le néo-stoïcisme ou la pensée de l’antisocial: Montaigne converse avec Lipse.” Montaigne et le social. Ed. Philippe Desan. Paris: Hermann, 2022. 297–315.
“Spaces of the State: Montaigne and a Few Others.” Visions of Space. Ed. Dorothea Heitsch and Jeremie C. Korta. Chapel Hill, NC: North Carolina Studies in Romance Languages and Literatures, 2021. 363–384.
“The Right-Wing ‘Renewal’ of Higher Education in North Carolina.” Academe Blog. June 3, 2021.
“Cyborg.” The Bloomsbury Handbook of Literary and Cultural Theory. Ed. Jeffrey R. Di Leo. New York: Bloomsbury, 2018. 433–35.
“Godard Gets the Blues: Movies, Music, and Baraka.” L’Esprit Créateur vol. 58, no. 4 (Winter 2018): 64–82.
“Deleuze, Kerouac, Fascism, and Death.” Dead Theory: Derrida, Death, and the Afterlife of Theory. Ed. Jeffrey R. Di Leo. New York: Bloomsbury, 2016. 191–204.
“Literatures of Exile and Return: Jack Kerouac and Quebec.” American Literature 84.3 (September 2012): 589–615.
“Curriculum for Sale?” Academe, May-June 2012, 22-27.
“Film Fable.” Jacques Rancière: Key Concepts. Ed. Jean-Philippe Déranty. Durham, UK: Acumen Press, 2010. 171–84.
Click here for Hassan Melehy's translations.


